Did your dreams of becoming a vocalist persist even as you grew older? Have you always wanted to learn how to sing, but don’t know what techniques to use so that your voice doesn’t break? Are you able to speak in front of an audience, but feel unsure of your speech? We have prepared useful instructions for you on how to voice.
In this article we will tell you:
How to set your voice for singing?
- How to start breathing?
- How to put on a voice at home?
- How to voice with a teacher? How to choose a vocal school?
- Exercises for voice training;
How to set a voice for speech?
- Voice training exercises;
- How to make your voice pleasant?
- How to make your voice louder?
- How to make your voice softer?
- How to voice with a teacher? How to choose a public speaking school?
Want to learn even more voice production techniques? Come to vocal courses and public speaking courses in St. Petersburg, where they will tell you all the secrets about the voice and teach you secret techniques.
How to set your voice for singing?
Each of us, as a child or not, at least once picked up a comb, used it as a microphone and twirled in front of the mirror, shouting “My Hart Will Go Oooon and Oooon” or “Wee ave champions, May Freeends.” Then my parents came, laughed at what they saw, and for some reason my dreams of a singing career seemed more and more like dreams than reality.
But one morning you woke up and realized: “It’s now or never!” Stop yelling for your car in a traffic jam or for your neighbors in the shower. It's time to improve your vocal skills and master singing at a serious level. Dreams must come true.
The most important thing for a good singer is even breathing and a voice that will interest the listener, and not force him to throw tomatoes at you. This is where you need to start learning.
Aspiring opera singer Daria Gerasimova told us about all the intricacies of vocal training.
How to put on a voice at home?
It depends on what kind of voice you are going to use. If we are talking about a pop voice, then it is enough to choose the performers you like, listen to them as much as possible and try to repeat after them. With a 70% chance you will be able to reproduce their singing style.
The bird is trying
If we're talking about classical music, you can't play your voice at home. When we start singing, our voice changes timbre. And the teacher will tell you what to do about it. Yes, you can have a little success if you persistently and diligently watch YouTube videos, but you won’t be able to make tremendous progress without the support of a knowledgeable person.
If you've read everything but don't understand anything, here's a video for you. Everything in it is the same, only visually:
A few more tips
Tip one: try to control the pace of your speech as often as possible. Remember that the faster your speech, the more tense your vocal cords are, which means your voice is higher. A person's voice is often compared to a vinyl record - when you slow down its rotation with your hand, the sound becomes lower. And if you deliberately lower your voice tone, your speech will become at least 10% slower.
Tip two: scientists have proven that inhaling through the nose helps lower the voice, because. the flow of air that passes through the nasal passages neutralizes reflexive emotional stress. However, the correct rotation of the larynx and its low position are preserved. So, inhale through your nose.
Tip three: a low voice is very closely related to correct posture. If you are trying to lower your voice, you will simply be forced to work with your spine - your posture should be straight, but not tense. And one more thing: brain activity also depends on the correct position of the spine - this was confirmed using an electroencephalogram. It has been noted that people who have correct posture and a low, deep voice not only create the appearance of their self-sufficiency and confidence - this is exactly how they are in life.
Tip four: everything is banal here - get enough sleep! Strangely, the voice of a well-rested person is lower. The trick here is that sleep relaxes the vocal apparatus, thereby providing all the benefits of a low voice. So that!
But don’t think that people with high-pitched voices are somehow worse than others. In reality, everything can be different: just as a person with a low voice can experience self-doubt, so a person with a high voice can amaze with their confidence and strength. The voice isn't as important as the substance, isn't it? However, no one has yet canceled subconscious perception.
Remember that you need to develop comprehensively: grow as a person, learn new things, master useful skills, develop self-confidence and, of course, learn to manage yourself, including your vocal cords.
Good luck!
We also recommend reading:
- Storytelling
- Logic vs intuition
- Covey's "Eighth Habit": summary
- Nonverbal communication
- How to become smarter: 4 types of intelligence according to Stephen Covey
- How to start running
- 4 Ways to Silence Your Negative Inner Voice
- How to make a good first impression
- Fixed Mindset
- A person's main limiting belief
- Social anxiety
Key words:1Rhetoric
How to train your voice with a teacher and choose a vocal school?
To place a voice with a teacher, you must first find him. You need to look for your teacher at random. Come to trial classes, listen, hear, feel the person, whether he is yours or not. Each vocal master will teach you in his own way, but first there must be a base. If you are comfortable with the person and his instructions, then you have found your teacher.
It also happens that during classes you will begin to experience physical discomfort. The ligaments will press, the voice will be extracted with pain. Then you need to leave such a teacher. Singing is a moment of pure pleasure.
Also, according to Daria, there is no need to adapt to the teacher if you feel that something is going wrong. If you agree with your mentor, see the meaning in his words, understand and can follow his instructions, then, of course, benefit from the master. You should be great friends with your teacher and feel like a kindred spirit in him.
There are a lot of vocal schools now, and it can be difficult to find something worthwhile among them. Therefore, try, see, and the school will definitely come your way. In vocal courses, in 6-8 lessons you will be taught the basics about breathing and sound, taught simple exercises and trained in voice training. The cost of such courses is 7,500–9,000 rubles.
Voice training exercises
No matter how strange it may sound, the voice in vocals ranks last in importance. Therefore, as a rule, no one is involved in its production.
We will tell you about the basic exercises if you are a beginner singer.
- Breathing exercises: chants, tongue twisters and physical exercises. If you had singing at school, then you remember these notes from “C” to “C”, when with each note the sound became louder and thinner. Tongue twisters help with diction and communication. As for physical exercises, here we are talking about a little gymnastics. Ligaments are muscles, so they also need to be warmed up, just as athletes warm up their muscles.
We remember physical education lessons in the 6th grade and the warm-up exercises for them. We do everything the same: stretches - head - torso - arms - legs - stretches.
2. Exercises to prevent your voice from breaking. To keep your voice from breaking, you need good support. If you give the so-called rooster, this means that the voice has sat on the cords and they have broken. This cannot be done.
All vocals are visualization, so imagine the voice being directed into the third eye area.
While singing, we need to imagine where we are directing our voice to make it easier. Physically, it will never end up in the forehead because there is no airway there. But if you think about it, the notes work that way and there. Magic, no less.
Imagine that you are directing your voice to the third eye area, like this cat
Place your voice on a support, strain your lower abdomen as much as possible and imagine that your voice is not going up, but down, like through a pipe. Then you think about playing the top notes, and they come out.
3. Exercises to keep your voice from shaking. It is not the voice that is trembling, but the larynx. And an audible shaking means it's rising. It is also dangerous to sing with a trembling larynx; it is harmful to health. The larynx rises because there is no correct support and breathing.
If they are installed, and such a problem still arises, you need to imagine how the far part of the palate rises. In this case, the tongue should descend as much as possible to the tips of the lower teeth. In this case, the larynx should begin to obey. Or vice versa, the sound needs to be narrowed: let the voice go to the upper teeth, lowering the tongue down and lifting the palate up.
You can also try lowering your head. Together with it, the larynx will drop and stop trembling. If this does not help, then you need to move your head while singing, maintaining your support and breathing in place.
Well, and finally, for those who want to change their tone. You can start smoking or lose a few kilograms. But seriously, there is no point in changing the tone. Each voice is unique; no two voices are identical in nature.
If you still want to destroy your gift and give it an unnatural timbre, then sing your voice. Chances are you won't be able to sing it to the pitch you want simply because you don't have the range.
To understand whether this is given to you or not, try to hit the lowest and highest note when chanting. Then you will understand whether you will succeed or not. It may sound wrong and ugly, but you will get it with your voice. Then you will be able to sing it at a professional level, but you will need a lot of training.
If you add 2-3 notes at the top, they will go down below.
It will not be possible to expand the range. You'll break your voice. And somewhere there will be more, and somewhere less. Think about it. After all, you can adjust everything to your characteristics and enjoy what you have.
Loss of voice in boys
Many teenagers strive to deepen their voices because they are embarrassed by subtle notes or simply want to have a deeper voice. Let's try to figure out what makes a voice rougher?
Nature of the voice
Voice refers to the sounds a person makes when talking, singing, laughing or crying. It is formed in the process of exhaling air through the nose and mouth, during which vibration of the vocal folds occurs, leading to the creation of sound vibrations in the passing air.
The vocal folds vibrate at a certain frequency, and the nasopharynx and chest act as sound resonators. The uniqueness of the voice timbre is determined by the characteristics of the human larynx.
Voice breaking
The child's vocal organs are small, so the air stream vibrates only their edges - this is the cause of high-pitched voices in children. The period of growth of the vocal cords dates back to 13–14 years, when hormonal changes occur.
During this period, the vocal cords become longer and thicker, the vocal apparatus undergoes restructuring, and the mechanism for sound reproduction becomes similar to the functioning of the vocal apparatus in adults. In a teenager, the entire fold begins to vibrate, and vocal waves can travel in a vertical or horizontal direction, which leads to a deeper and richer sound.
It is impossible to say exactly the age of the child at which vocal changes occur, since it depends on individual characteristics, as well as on certain living conditions. For some, voice loss begins quite early, while for others it can drag on for certain reasons.
Late loss of voice can be a serious reason for psychological worries and complexes for a boy.
Causes of late voice failure
- The absence of a man in the boy’s immediate circle. In this case, the child has no role model, since only women are nearby.
- Health problems. The child often catches colds, suffers from throat diseases, and suffers from laryngitis.
What to do?
- Contact a phonopedist, a specialist who specializes in voice training. Quite often, after one or two lessons, changes in the voice occur and it sounds more courageous.
- Consult an ENT doctor who will help determine the condition of the child’s throat, because redness can be not only a sign of illness, but also a sign of a mutation in the vocal cords.
- Visiting a phaniatrist - a specialist who treats diseases of the vocal cords.
Voice mutation period
When vocal changes occur, it is important to keep the vocal cords as quiet as possible. Loads on the ligaments: singing, chanting, screaming can cause overstrain of the vocal apparatus, the formation of nodules that make the voice hoarse and ugly.
During this period, you should be attentive to the child’s health and lifestyle; the more attention is paid to these issues, the faster and painless the process of physiological changes will be.
At the same time, it is necessary to understand and explain to the child that his voice primarily depends on his natural characteristics. You cannot make your voice lower or higher, more melodic, if you do not have the natural ability for this.
How to set a voice for speech?
If you have never been afraid to speak in front of an audience, but on the contrary, you liked this activity and you always received feedback from your listeners, this item is for you! In what you love, you always want to make progress, improve your skills and improve.
The speaker needs a delivered speech and voice that will attract attention and hold the audience. By the way, novice actors are just working on their connections so that the viewer can enjoy hearing their lines.
Public speaking coach Lyudmila Pasternak and her student Elena Sergeeva told us how to make our voice more pleasant, softer, and louder.
Voice is a second appearance
At the first meeting, they first see you, then hear you, and only then delve into the essence of your words and manner of behavior. No matter how deceptive the first impression may be, it is precisely this that replaces for a stranger all the primary information about you that he urgently needs, but has not yet managed to collect.
Incredibly, just the sound of your voice can win over or repel, inspire fear or trust, hostility or a desire to continue acquaintance. You can fall in love with the voice, or you can hate it. A pleasant, clear voice can brighten up all the flaws in appearance, while an unpleasant one can cross out all the advantages. It is possible to make your voice higher for singing if you take the time to practice regularly.
“Our best words are intonation.” Marina Tsvetaeva.
The most important thing in a person’s voice is its timbre. Timbre is the only thing that can never be changed; it is unique, like the pattern of the retina, and will remain with you for the rest of your life. If you are unlucky with the timbre, alas, it is irreparable. But most often people’s complaints about the voice relate to the following shortcomings:
- Volume
- Narrow range
- Sound flaws
- Lack of flexibility
- Weakness
Voice exercises
For a speaker, the voice is the main breadwinner. Therefore, it needs to be trained so that the skills in this skill do not disappear anywhere. Catch the exercises if you are a novice speaker:
- Exercise to keep your voice from getting tired. With this problem, we do not go far from the vocalists and begin to play sports with them. The same ligaments are involved in oratory, so don’t be lazy to do a physical warm-up before your speech.
2. Exercise to control your voice. And here we again turn to vocalists and their visualization. Stand straight with your feet shoulder-width apart. Relax your arms and shoulders, close your eyes, begin to pronounce the sound “mmm” and imagine it in the form of a ball. Move this ball mentally around your body.
First lower it down and fix it in the stomach, then gradually lift it up and fix it in the chest. After this, lift it through the throat to the head. Time for exercise: 7–10 minutes. If you feel ligament fatigue, then reduce it and gradually increase it with each workout.
3. Exercise “Tina Kandelaki” for clarity of speech and diction. You have been familiar with this exercise since childhood - tongue twisters. Speak them out as much as possible. Over time, you will stop stumbling over complex letter combinations and learn to quickly pronounce “heavy” words.
The Art of Presentation
Jerry Weissman in his book “Masters of Words. Secrets of Public Speaking" perfectly describes the technologies for forming the correct voice timbre.
A high, shrill (I don’t want to offend anyone) voice in an adult, from the point of view of others, creates the impression of the immaturity of its owner, so women and men with high voices often face unfair attitudes from others, which makes it difficult to develop a career. The story of Lina Lamont from Singin' in the Rain illustrates this well.
The pitch of the voice is determined by the vocal cords, so the only way to make a voice velvety is to create resonance with the larynx. The English word resonance is made up of the prefix re, meaning “repetition,” and the root sonance, meaning “sound.” Repetition of sound. That is, an echo. In a cave or high in the mountains, looking down, you have probably shouted “Hey!” at some point, and your “Hey!” reflected from the rocks, that is, it resonated with a booming sound.
The echo of the voice contains overtones and halftones, which make the reflected “hey” sound deeper and richer. If you add overtones and halftones to the sound of your voice, you can make it deeper and more velvety. But an echo can also be created through your own body. Let's analyze the elements of a mountain echo. The voice, born in the larynx, passes through the open space of a cave or gorge. The sound hits their walls and is reflected with renewed vigor. Reflection is resonance, reverberation, which adds overtones and halftones that enrich the original sound.
The main elements of an echo are: Voice, Open space of a cave or gorge, Walls of a cave or gorge. In other words: Source, Open cavity, Solid surface.
All of these elements can be used in your speech for the reason that the vocal cords are the source of the voice; Our bodies have open cavities and hard surfaces.
There are three open cavities above the vocal cords. Thus, we have a surface in which sound originating in the larynx can vibrate, and therefore resonate during conversation: the larynx, which is also called the pharynx, or pharyngeal cavity; Mouth, or oral cavity; The sinuses, or nasal cavity.
When you speak, the vibrating air flow passes through these three cavities in any case, but there is no resonance. To create it, you need to optimize the reflection by opening the cavities wider. The more space, the deeper the cave, the steeper the gorge, the better the sound is reflected and the more beautiful it becomes.
Two types of sounds are produced in the larynx: vowels and consonants.
Consonants are sounds that are pronounced with the participation of the lips, teeth and tongue; vowel sounds consist only of the voice and depend solely on the shape of the resonator (mouth) and the position of the jaw. Since all vowel sounds pass through the larynx and mouth, these cavities can be turned into echo chambers and achieve resonance. To connect, for example, the nasal cavity, let’s also take other sounds: “m” and “n”. Although they belong to consonants because they are formed with the help of the lips and tongue, they are so common that they can be used in an echo chamber and give resonance to the voice.
To develop nasal resonance, say “mm-mm.” Consciously pass the sound through your nose. Stretch out the sound. Feel the vibration in your nose and behind your cheekbones.
Say "nnnn." Consciously pass the sound through your nose. Stretch out the sound. Feel the vibration in your nose and behind your cheekbones.
Have you felt what nasal resonance is? Now say: “Mom fed me semolina.” Emphatically pronounce the sounds “m” and “n” in each word.
Say: “I call a lot, but it’s of little use.” Pronounce all “m” and “n” sounds with emphasis.
Say: “We lazily caught burbot in the shallows.” Emphatically pronounce the sounds “m” and “n” in words.
Have you experienced what nasal resonance is like in a controlled speech stream?
Now take a newspaper or magazine and read the paragraph out loud. Emphatically pronounce the sounds “m” and “n” in each word.
Do these exercises every day until you find a level that is comfortable for you, at which your diction becomes less tense and your voice becomes velvety. Some will need more time and effort, others less. Try to speak with resonance in your daily life, communicating with family members, friends or colleagues. Little by little you will develop this quality of voice and begin to use it in other situations. Develop it gradually. Before you run, you need to walk. Once you reach a certain level of mastery, try your hand at an important presentation or speech. The main thing is to do everything gradually.
So, to develop nasal resonance, you need to go through five stages:
— Performing individual exercises.
— Controlled speech flow training.
— Selective execution of exercises.
- Conversation.
— Presentation or speech.
The success of the fourth and fifth stages depends on your progress.
Now we use the same steps to create mouth and throat resonance.
To develop oral resonance, say “a” as in the syllable “ha.” Stretch out the sound. Feel the reverb in the front of your mouth.
Now say “and” as in the syllable “hi”. Consciously place the sound at the front of your mouth. Stretch out the sound. Feel the reverb in the front of your mouth. You have practiced oral resonance separately.
Now say: “On Mount Ararat Varvara was picking grapes.” Emphasize each sound and feel it reverberate in the front of your mouth.
Say: “Mom didn’t spare soap.” Emphasize each sound and feel it reverberate in the front of your mouth.
Say: “Have you watered the lily?” Emphasize each sound and feel it reverberate in the front of your mouth.
You have practiced oral resonance in a controlled speech flow. Now take a newspaper or magazine and read the paragraph out loud. Pronounce each sound emphatically in separate words. Now gradually move on to steps 4 and 5.
To develop throat resonance, say “he.” Consciously open your throat and lower your lower jaw. Stretch out the sound. Feel the reverberation in your throat.
Say "oh". Consciously open your throat and lower your lower jaw. Stretch out the sound. Feel it in your throat. You have trained your throat resonance separately.
Say: “They stomped and stomped, they stomped until they reached the poplar.” Pronounce each sound emphatically and feel how it reverberates in your throat.
Say: “The king had an eagle, the eagle flew after the king.” Pronounce each sound emphatically and feel how it reverberates in your throat.
Say: “The tufted little ones laughed with laughter.” Pronounce each sound emphatically and feel how it reverberates in your throat.
You have practiced pharyngeal resonance in a controlled speech stream. Now take a newspaper or magazine and read the paragraph out loud. Pronounce each sound emphatically in separate words. Now gradually move on to steps 4 and 5.
Your goal is to develop the skill so much that you can use all these techniques unconsciously, when each word will automatically be directed into the desired cavity, where it will acquire overtones and halftones.
The result is a velvety, resonant voice that will hold the audience's attention and give you added value.
Good luck.
#Jerry Weissman #speech technique #voice
How to make your voice pleasant?
Alas, you won’t be able to make your voice pleasant in one lesson or after one workout. As in any business, it requires consistency and perseverance.
It doesn’t matter what topic this book will be on, be it culinary or a dictionary of synonyms and antonyms. Read with feeling, sensibly, with order , as your favorite literature teacher taught you.
It is better to record yourself on a voice recorder to hear speech errors.
By doing this every day, you will achieve success and learn to read with different intonation and speed, highlighting the necessary words with logical accents and correctly placing accents.
And one more life hack: try to speak “vertically” rather than “horizontally”, that is, pronounce letters with a more rounded mouth. This way the letters will tend towards the sound “A” rather than “E”.
Why do you need a low voice?
As a rule, a person with a low voice is intuitively perceived by people around him as someone who has authority, is self-confident, self-sufficient, and is able to stand up for himself and his loved ones. A low voice is a sign of self-control and balance, and also instills sympathy and trust in the interlocutor or opponent.
The image presented, as well as the sound of a low voice, are always very effective: they work great, for example, when you need to impress a member of the opposite sex, or when you need to quickly win over potential business partners and make them listen to you and trust what you say.
There are also frequent situations when, on the eve of an important speech in public, a conversation with superiors or negotiations, a person realizes that his voice, as they now say, is “inaudible,” or that every now and then it wheezes, twitches, trembles, and breaks into high notes. This is not good, because a high-pitched squeaking voice in no way corresponds to the image of a confident person, a leader and someone who should be listened to and respected. This is another reason why you should learn how to control your vocal cords.
And it is even possible that you are not at all aware that your voice, which seems most pleasant and velvety to you, actually sounds completely different from what you imagine. This can be established by, for example, audio recording. Each person has a different perception, and some may think that their voice sounds lower in the recording, while others may think that their voice is higher. However, both of these sounds are a clear representation of your voice.
The process of voice formation and perception is quite complex. And, for example, professional voice director and speech therapist Nelson Vaughan explains it as follows: when a person listens to his voice, he perceives it only through his ears. He hears the sound waves that propagate inside him through the liquid that fills his internal organs. But sound propagates through air differently than in dense tissue or liquid. And this difference is correlated with almost the entire spectrum of tones perceived by a person. For this reason, people do not hear what we can hear.
And, ultimately, the topic of lowering your voice will be useful to everyone who stutters, no matter: always or during times of stress. Professor and Doctor of Medical Sciences I.A. Sikorsky says in this regard that slow speech in a low voice serves as a preventative for stuttering, and is capable of giving the speaker a tone of self-control, authority and importance.
From all of the above, we can conclude that lowering the voice is extremely useful and effective for almost any person who does not have a deep voice. But how can we lower our voice?
To do this, you need to resort to the following exercises.
How to make your voice louder?
The volume of our voice depends on resonators.
The resonator is the volume of air enclosed in the oral cavity.
Therefore, if these same resonators are punched, the voice will sound louder and more evenly. They make their way in a very simple way: we pull the sound “mmm” to the point above the nose between the eyebrows (it is also called the “third eye”). At the same time, you need to tap your fingers on this place. Most of this is visualization, so imagining the process will make it much easier for you.
How to make your voice softer?
Often the speaker has a desire to make his voice softer, but it suddenly becomes thinner and breaks down, that is, it sits on the ligaments.
Unfortunately, not our entire body can sound, so there is a way to feel it, open the resonators and strengthen the voice. The exercise is called “saber-checker” (spoiler: it’s about visualization).
We stand straight, feet shoulder-width apart. On one side we present a saber in a sheath, on the other a saber. We alternately “take out” either the saber from the sheath with a clear “s” sound and raise it above the head, or the saber with the “sh” sound. Then we increase the pace.
Breathing exercises
Breathing exercises will not only lower your tone by a couple of semitones, but will also improve your respiratory system.
- To do this, you need to master the chest type of breathing, which reduces sound better than diaphragmatic breathing. With this type of breathing, muscle activation occurs, which entails a decrease in the larynx. And as we remember, lowering the larynx provides a low timbre. In addition, the sound support and chest resonators are turned on.
- With correct, even posture, you will be able to achieve maximum effect. If the diaphragmatic type of breathing is more suitable for singing, then the chest type is more suitable for speech.
- During a conversation, you need to inhale through your nose, this will allow you to maintain the correct rotation of the larynx and its low position. In addition, you will be able to control the pace of speech. If you speak at a slow pace, the timbre will be kept rough, but if you speed up the pace, the sound will become thinner. With proper sound production, breathing should be slow and economical. Learn to speak calmly, pronouncing words clearly and without taking convulsive breaths through your mouth.
- You can even do a small test. Hold a lit candle to your mouth and make a speech. If the sound production is correct, then the candle flame will be practically motionless. Your speech should last a long time. If the flame fluctuates, this indicates that the breath is being wasted uneconomically: it should not come out in jerks, but should flow smoothly from the articulatory apparatus.
How to develop a voice with a teacher and choose a public speaking school?
In order to choose a school and a public speaking teacher, you need to decide on your goals and objectives. Our expert Elena wanted to add ease to the audience’s perception of a complex topic and clearly fit into the timing. On a physical level, she needed to learn to cope with anxiety, remove excessive tightness in her body and make her voice stronger (usually her vocal cords tired quickly).
It is not always possible to choose a teacher right away. It is better to do this according to the following criteria:
- Education and experience. The ideal option is for the teacher to combine acting and speech techniques.
- Psychological comfort when communicating with a trainer. To do this, it is better to arrange a preliminary meeting or a trial lesson. Pay attention to the format of communication and the trainer’s speech, discuss the work plan, goals and objectives.
On average, public speaking courses last 6–8 lessons. The cost of such courses ranges from 10 to 15,000 rubles.
As you can see, the secret of a good voice for a vocalist and speaker is simple - in most cases you need to visualize the sound and practice. Then you will learn to sing as well as Beyoncé and perform as well as Churchill himself.
What secrets of public speaking and singing techniques for beginners do you know? Share with us in the comments. Don't forget to repost the article to save useful tips on voice training.
Lessons and course structure
To make it easier for you to achieve the desired result - a beautiful voice and intelligible speech - we have developed a step-by-step system for mastering all the knowledge necessary for this. This is why we recommend going through the lessons sequentially, without jumping from one to another. If the topic seems familiar to you, just in case, still read the material to make sure that you did not miss anything when you addressed this topic under other circumstances. And now more about the lessons themselves.
Lesson 1. How sound and voice work: physics and anatomy
The purpose of this lesson is to understand what sound, voice and speech are from the point of view of physics and anatomy. To achieve a positive result, you need to understand both aspects. Knowledge of anatomy will help you learn how to control your voice, and understanding the physical foundations of sound will help you visualize the results of classes and control the correct sound production.
Lesson 2. Characteristics and properties of the voice. How you can influence them with your voice
The purpose of this lesson is to study the basic characteristics and properties of the voice and learn how you can influence its characteristics so that it sounds beautiful. In this lesson we will look at the basic steps in voice training in order to develop a beautiful sound, namely working on breathing, diction, articulation and resonators.
Lesson 3. Diction and articulation
The purpose of the lesson is to analyze the main components of diction and exercises to improve them. We will study recommendations for improving diction from the recognized master of stage speech, the great director of the era, Konstantin Sergeevich Stanislavsky. We will also briefly examine methods for correcting the most common diction defects, which are offered by practicing speech therapists.
Lesson 4. Intonation
The purpose of the lesson is to learn to intonate and express various emotions using intonation, to reinforce important points in your speech, to indicate the end of one thought and the transition to the next. We will study different types of intonation and learn how to put them into practice using special exercises.
Lesson 5. Voice timbre and pitch
The purpose of the lesson is to learn how to control the pitch and timbre of the voice, convey various emotions using pitch and timbre, and make accents with the voice. In this lesson we will study different types of timbre, the dependence of voice pitch on timbre and understand how to use this in practice.
Lesson 6. Volume and strength of voice
The purpose of the lesson is to increase the strength of your voice, learn how to control volume, and achieve a sound in which you can be heard perfectly no matter how loudly you speak. In this lesson we will figure out how to make your voice loud and strong, how to make your voice quiet but audible, and how to use this in everyday speech and public speaking.
Lesson 7. Singing and vocal art
The purpose of the lesson is to gain an understanding of vocals, vocal techniques, vocal techniques and vocal embellishments, and to become familiar with the basic ways of practicing singing techniques. In this lesson we will look at types of vocals, vocal techniques and techniques, vocal embellishments, and also try to master those that will be available to you, taking into account your level of training and the knowledge that you will receive in lessons No. 1-6.
Lesson 8. Problems with voice and speech
The purpose of the lesson is to study the most common problems with voice and speech and develop a set of measures to, if possible, avoid them or correct them. In this lesson we will look at the most well-known disorders and pathologies of the vocal apparatus and speech organs, and introduce you to professional advice on what to do in this or that case.
And now a little more about how to take this course.
